From The Writer’s Almanac:
It’s the birthday of comic book writer Stan Lee, (books by this author) born Stanley Martin Lieber in New York City (1922). He spent most of his childhood watching Errol Flynn movies and reading boys’ adventure stories. He decided to be a writer at an early age, and won a writing contest sponsored by the New York Herald Tribune three weeks in a row.
He got a job just out of high school as a gopher for a publishing company called Timley Publications, which published comic books. At first he got people coffee, swept floors, and ran errands, but eventually he began to proofread, and then write the occasional script, because he said, “I knew the difference between a declarative sentence and a baseball bat.”
When he began to write scripts regularly, he chose to write under a pseudonym. He said, “I felt that those simple little comic books weren’t important enough to deserve my real name. I was saving that for the Great American novel that I hoped to write one day. So I just cut my first name [Stanley] in half and called myself ‘Stan Lee’.”
Lee was just eighteen years old when the editor of the publishing house quit, and he got the job as head editor and writer. It was supposed to be temporary, but he wound up staying for more than thirty years.
At first, Lee wrote comic books without taking them very seriously. He said, “I was the ultimate hack. I was probably the hackiest hack that ever lived. I wrote whatever they told me to write the way they told me to write it. It didn’t matter: War stories, crime, Westerns, horror, humor; I wrote everything.”
But in the 1960’s, Stan Lee began to regret all the time he’d spent writing mindless entertainment, stories with hackneyed plots and bad dialogue. At parties, he was embarrassed to admit that he wrote for comic books. He told his wife that he was fed up and he was going to quit. She suggested that if he had nothing to lose, he should try creating a comic book he could be proud of, since it wouldn’t matter if he got fired anyway.
He agreed, and decided that the most important thing lacking from comic books was complex characters. All the good guys were entirely good, and the bad guys entirely evil. Stan Lee said, “[I decided to create] the kind of characters I could personally relate to. They’d be flesh and blood…they’d be fallible and feisty, and—most important of all—inside their colorful, costumed booties they’d still have feet of clay.”
Instead of creating just one new comic book series, Lee created more than half a dozen, including The Fantastic Four, the Incredible Hulk, the X-Men, Thor, Daredevil, and Dr. Strange. But his most successful character of all was The Amazing Spiderman, about an awkward teenager named Peter Parker who develops superpowers after being bitten by a radioactive spider. He was the first superhero to be filled with self-doubt, the first superhero to struggle with whether he wanted to be a superhero. Stan Lee’s boss hated the idea, but the first issue featuring Spiderman sold every copy that was printed, and Spiderman went on to become one of the most popular superheroes ever invented.
Stan Lee said, “You ask the audience to suspend disbelief and accept that some idiot can climb on walls, but [then] you ask: What would life be like in the real world if there were such a character? Would he still have to worry about dandruff, about acne, about getting girlfriends, about keeping a job?”
I’ve always been a big Spider Man fan. Not just the movies and the old cartoons, but the comics as well. I haven’t collected in quite a few years, but I still have many comics squirelled away, fighting Melanie on a regular basis to make sure she doesn’t throw them out or give them away – because for some reason most females don’t seem to understand the value in comic books. Spider Man appealed to me as he was the flawed superhero – one who was made to feel somewhat alone – exactly how I felt so many years ago….