On April 1, 1989, the Louvre Pyramid was officially unveiled, marking a dramatic shift in the appearance of one of the world’s most famous museums. Designed by architect I. M. Pei, the glass-and-metal pyramid was meant to serve as a functional entrance while bringing a contemporary contrast to the historic Louvre Palace. However, its introduction sparked intense debate. Many critics felt its modern, geometric form clashed with the Renaissance-era surroundings, with some even arguing it was an unnecessary modernization that disrupted the Louvre’s classic aesthetic.

Over time, the pyramid has become a defining feature of Paris and an architectural marvel in its own right. Yet, myths still surround the structure—one of the most famous being the claim that it contains exactly 666 glass panes, a number often associated with occult symbolism. This idea gained traction after the release of Dan Brown’s The Da Vinci Code, which suggested deeper, hidden meanings within the pyramid’s design. However, official records from the Louvre Museum confirm that the actual number of panes is 673, debunking the theory. Brown himself has admitted that his book is a blend of fiction and historical references rather than a factual account.

What was once a controversial addition to Paris’s skyline has since become an architectural landmark, proving that bold innovation can coexist with history. The Louvre Pyramid stands today as a symbol of cultural evolution, bridging the past and present in one of the world’s most visited museums.